GRECO, El
Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,

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GRECO, El View and Plan of Toledo oil painting


View and Plan of Toledo
c. 1610 Oil on canvas, 132 x 228 cm
Painting ID::  43707
GRECO, El
View and Plan of Toledo
c. 1610 Oil on canvas, 132 x 228 cm
   
   
     

GRECO, El Apostle St Andrew oil painting


Apostle St Andrew
c. 1610 Oil on canvas, 70 x 53,5 cm
Painting ID::  43708
GRECO, El
Apostle St Andrew
c. 1610 Oil on canvas, 70 x 53,5 cm
   
   
     

GRECO, El Saint Peter oil painting


Saint Peter
1610-13 Oil on canvas, 209 x 106 cm
Painting ID::  43709
GRECO, El
Saint Peter
1610-13 Oil on canvas, 209 x 106 cm
   
   
     

GRECO, El St Ildefonso oil painting


St Ildefonso
1610-13 Oil on canvas, 219 x 105 cm
Painting ID::  43710
GRECO, El
St Ildefonso
1610-13 Oil on canvas, 219 x 105 cm
   
   
     

GRECO, El St Jerome as a Scholar oil painting


St Jerome as a Scholar
1600-14 Oil on canvas, 108 x 89 cm
Painting ID::  43714
GRECO, El
St Jerome as a Scholar
1600-14 Oil on canvas, 108 x 89 cm
   
   
     

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     GRECO, El
     Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,

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